By Daniel Horowitz

How is it that American intellectuals, who had for one hundred fifty years nervous concerning the deleterious results of affluence, extra lately started to emphasize excitement, playfulness, and symbolic alternate because the essence of a colourful purchaser tradition? the recent York intellectuals of the Thirties rejected any severe or analytical dialogue, not to mention appreciation, of pop culture, which they seen as morally questionable. starting within the Nineteen Fifties, despite the fact that, new views emerged open air and in the usa that challenged this dominant pondering. Consuming Pleasures unearths how a bunch of writers shifted recognition from condemnation to serious appreciation, critiqued cultural hierarchies and moralistic techniques, and explored the symbolic methods through which members and teams communicate.

Historian Daniel Horowitz lines the emergence of those new views via a sequence of highbrow biographies. With writers and readers from the us on the heart, the tale starts off in Western Europe within the early Fifties and results in the early Seventies, while American intellectuals more and more favored the wealthy inventiveness of pop culture. Drawing on resources either standard and newly found, this transnational highbrow historical past performs normal works off one another in clean methods. between these whose paintings is featured are Jürgen Habermas, Roland Barthes, Umberto Eco, Walter Benjamin, C. L. R. James, David Riesman and Marshall McLuhan, Richard Hoggart, contributors of London's self reliant team, Stuart corridor, Paddy Whannel, Tom Wolfe, Herbert Gans, Susan Sontag, Reyner Banham, and Robert Venturi and Denise Scott Brown.

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Consuming Pleasures: Intellectuals and Popular Culture in the Postwar World (The Arts and Intellectual Life in Modern America) by Daniel Horowitz

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